SZA - Snooze lyrics
SZA [Solána Imani Rowe] U.S.
The track, with its infectious beats and soulful melodies, has undoubtedly struck a chord with listeners worldwide. From the first note, fans found themselves immersed in a sonic experience that transcends genres. The comments range from admiration to envy, with one fan expressing, "For the first time in life, I'm jealous of a robot." This sentiment introduces an intriguing aspect of the song—the unexpected connection between technology and human emotion.
[SZA - Snooze lyrics]
Ooh, I think I know
I'll touch that fire for you
I do that three, four times again
I testify for you
I told that lie, I'd kill that bitch
I do what all of them
Around you scared to do, I'm not
Long as you juggin' out here for me
I got it mobbin', schemin', lootin'
Hide your bodies
Long as you dreamin' 'bout me
Ain't no problem
I don't got nobody, just with you right now
Tell the truth, I look better under you
I can't lose when I'm with you
How can I snooze and miss the moment?
You just too important
Nobody do body like you do
I can't lose when I'm with you
I can't just snooze and miss the moment
You just too important
Nobody do body like you do, you do
In a droptop ride with you
I feel like Scarface (Scarface)
Like that white bitch with the bob
I'll be your main one (Your main one)
Lеt's take this argument back up
To my place (My placе)
Sex remind you I'm nonviolent
I'm your day one (Day one)
We ain't have shit yet, it was magic, yeah
Smash and grab shit, yeah
Nasty habit's take a hold when you not here
Ain't a home when you not here
Hard to grow when you not here, I'm sayin'
I can't lose when I'm with you
How can I snooze and miss the moment?
You just too important
Nobody do body like you do
I can't lose when I'm with you
How can I snooze and miss the moment?
You just too important
Nobody do body like you do, you do
Main one ridin' how you frontin' on me and
I'm the main one tryin'?
How you blame it on me and
You the main one lyin'?
How you threatenin' to leave and
I'm the main one cryin'?
Just tryna be your everything
Main one ridin' how you frontin' on me and
I'm the main one tryin'?
How you blame it on me and
You the main one lyin'?
How you threatenin' to leave and
I'm the main one cryin'?
I can't lose when I'm with you
(Like you, like you)
How can I snooze and miss the moment?
(Like you) you just too important
Nobody do body like you do
I can't lose when I'm with you (Like you)
How can I snooze and miss the moment?
(Like you) you just too important
Nobody do body like you do, you do
Nah, nah, nah, nah I think I know, woah
See, no, I can't lose, oh I think I know, oh
I'll touch that fire for you
I do that three, four times again
I testify for you
I told that lie, I'd kill that bitch
I do what all of them
Around you scared to do, I'm not
Long as you juggin' out here for me
I got it mobbin', schemin', lootin'
Hide your bodies
Long as you dreamin' 'bout me
Ain't no problem
I don't got nobody, just with you right now
Tell the truth, I look better under you
I can't lose when I'm with you
How can I snooze and miss the moment?
You just too important
Nobody do body like you do
I can't lose when I'm with you
I can't just snooze and miss the moment
You just too important
Nobody do body like you do, you do
In a droptop ride with you
I feel like Scarface (Scarface)
Like that white bitch with the bob
I'll be your main one (Your main one)
Lеt's take this argument back up
To my place (My placе)
Sex remind you I'm nonviolent
I'm your day one (Day one)
We ain't have shit yet, it was magic, yeah
Smash and grab shit, yeah
Nasty habit's take a hold when you not here
Ain't a home when you not here
Hard to grow when you not here, I'm sayin'
I can't lose when I'm with you
How can I snooze and miss the moment?
You just too important
Nobody do body like you do
I can't lose when I'm with you
How can I snooze and miss the moment?
You just too important
Nobody do body like you do, you do
Main one ridin' how you frontin' on me and
I'm the main one tryin'?
How you blame it on me and
You the main one lyin'?
How you threatenin' to leave and
I'm the main one cryin'?
Just tryna be your everything
Main one ridin' how you frontin' on me and
I'm the main one tryin'?
How you blame it on me and
You the main one lyin'?
How you threatenin' to leave and
I'm the main one cryin'?
I can't lose when I'm with you
(Like you, like you)
How can I snooze and miss the moment?
(Like you) you just too important
Nobody do body like you do
I can't lose when I'm with you (Like you)
How can I snooze and miss the moment?
(Like you) you just too important
Nobody do body like you do, you do
Nah, nah, nah, nah I think I know, woah
See, no, I can't lose, oh I think I know, oh
About the song SZA - Snooze
When it comes to fan reactions to the musical masterpiece "Snooze," the comments section unfolds into a captivating symphony of opinions. The multifaceted nature of these responses reflects the diverse layers of the song's composition. A critical perspective emerges as one listener deems the video associated with "Snooze" as garbage, pointing out a perceived dissonance between the song's lyrics and visual representation. Conversely, within critical voices, a carefree dimension arises. A fan playfully speculates about the real-life consequences of the song, humorously suggesting that someone might be inspired to romantic endeavors after listening to "Snooze."
The predominant moods revolve around thematic elements of the video. Some express discomfort with what they perceive as the promotion of female promiscuity, associating it with a negative undertone. A viewer notes, "What does real life have to do with it? No one talks about how they promote female promiscuity." This observation underscores concerns about the presumed influence of visual effects on social norms.
Admiration for the musicality takes center stage. The seamless blend of beats and vocals earns praise, with a nod to the Isley Brothers sample.
The artistic choice of the video also sparks various responses. Some find the portrayal intriguing, noting the unexpected appearance of a robot in romantic scenes. The comment "Robot seduction – that's a first.This song is too cute" reflects surprise and charm associated with unconventional elements in visual storytelling. As comments unfold, intriguing connections arise. References to SZA's presence in the video alongside other guys prompt speculation about relationships and partnerships. Fans casually discuss Solána's new mysterious Asian guy and the dynamics between artists, injecting gossip into the musical discourse. The rhythm of fan reactions intensifies. For instance, a listener confesses love for the singer's body, acknowledging the creative brilliance of the video creators. This transitions into a captivating discussion of the characters in the clip, deepening fan impressions.
SZA's evolution as an artist does not go unnoticed. One subscriber laments an apparent shift towards a more commercialized and less authentic image, sparking a conversation about the industry's influence on artistic expression. This opinion serves as a sharp reminder that dedicated fans often scrutinize an artist's journey. The audience also delves into an analysis of the song's lyrical depth. For example, one guy praises the track, stating, "To this day, it's the best song on the new album. It showcases her songwriting ability, which is lacking in the rest of the album."
Over time, viewers express a range of emotions, from admiration to humor. One fan playfully notes, "Love you, SZA, I'd like to be a robot." Diverse reactions also touch on social and cultural observations. Some viewers appreciate the artistic elements of the video, while others express concern about explicit content, emphasizing the need for responsible curation in the digital age.
Collaboration with Justin adds another layer to the discussion. Some appreciate the synergy between the two artists, while others recall past conflicts, questioning Bieber's involvement. The comments section becomes a virtual battleground of opposing opinions, reflecting the complex nature of fan reactions in the era of social media.
Cultural diversity plays a significant role in the reviews under the music video: fans from Argentina express admiration for SZA's artistry and her contribution to the resurgence of "real music for black women." This highlights the song's global impact and its ability to resonate with listeners from different cultures.
While some fans appreciate the timeless quality of the song, comparing it to a "priceless" gem for this generation, others raise questions about the video's alignment with the lyrics. The mismatch between the soothing nature of the song and apparent confusion in visual effects becomes a subject of debate, reflecting different fan expectations.
At times, the discussion takes a dynamic turn, such as when a user comments on the lack of a plot in the music video, stating, "I wish there was more plot in this video, instead of dancing half-naked and then dancing on your knees in front of a robot."
The controversies surrounding provocative scenes in the video cannot be ignored. Fans grapple with conflicting emotions, simultaneously experiencing sensuality and disgust. A comment captures this dichotomy: "The scene where the guy eats chips from her buttocks is just disgusting; there must be bacteria there." This internal reaction embodies the dichotomy within the fan base.
In conclusion, the fan reactions to "Snooze" are a kaleidoscope of perspectives, ranging from critical analyses to playful admiration. The discourse not only explores the musical and visual elements but also delves into social, cultural, and personal dimensions. The virtual space of comments serves as a platform for fans to engage in a multifaceted dialogue, highlighting the intricate tapestry of responses in the age of digital connectivity.
The predominant moods revolve around thematic elements of the video. Some express discomfort with what they perceive as the promotion of female promiscuity, associating it with a negative undertone. A viewer notes, "What does real life have to do with it? No one talks about how they promote female promiscuity." This observation underscores concerns about the presumed influence of visual effects on social norms.
Admiration for the musicality takes center stage. The seamless blend of beats and vocals earns praise, with a nod to the Isley Brothers sample.
The artistic choice of the video also sparks various responses. Some find the portrayal intriguing, noting the unexpected appearance of a robot in romantic scenes. The comment "Robot seduction – that's a first.This song is too cute" reflects surprise and charm associated with unconventional elements in visual storytelling. As comments unfold, intriguing connections arise. References to SZA's presence in the video alongside other guys prompt speculation about relationships and partnerships. Fans casually discuss Solána's new mysterious Asian guy and the dynamics between artists, injecting gossip into the musical discourse. The rhythm of fan reactions intensifies. For instance, a listener confesses love for the singer's body, acknowledging the creative brilliance of the video creators. This transitions into a captivating discussion of the characters in the clip, deepening fan impressions.
SZA's evolution as an artist does not go unnoticed. One subscriber laments an apparent shift towards a more commercialized and less authentic image, sparking a conversation about the industry's influence on artistic expression. This opinion serves as a sharp reminder that dedicated fans often scrutinize an artist's journey. The audience also delves into an analysis of the song's lyrical depth. For example, one guy praises the track, stating, "To this day, it's the best song on the new album. It showcases her songwriting ability, which is lacking in the rest of the album."
Over time, viewers express a range of emotions, from admiration to humor. One fan playfully notes, "Love you, SZA, I'd like to be a robot." Diverse reactions also touch on social and cultural observations. Some viewers appreciate the artistic elements of the video, while others express concern about explicit content, emphasizing the need for responsible curation in the digital age.
Collaboration with Justin adds another layer to the discussion. Some appreciate the synergy between the two artists, while others recall past conflicts, questioning Bieber's involvement. The comments section becomes a virtual battleground of opposing opinions, reflecting the complex nature of fan reactions in the era of social media.
Cultural diversity plays a significant role in the reviews under the music video: fans from Argentina express admiration for SZA's artistry and her contribution to the resurgence of "real music for black women." This highlights the song's global impact and its ability to resonate with listeners from different cultures.
While some fans appreciate the timeless quality of the song, comparing it to a "priceless" gem for this generation, others raise questions about the video's alignment with the lyrics. The mismatch between the soothing nature of the song and apparent confusion in visual effects becomes a subject of debate, reflecting different fan expectations.
At times, the discussion takes a dynamic turn, such as when a user comments on the lack of a plot in the music video, stating, "I wish there was more plot in this video, instead of dancing half-naked and then dancing on your knees in front of a robot."
The controversies surrounding provocative scenes in the video cannot be ignored. Fans grapple with conflicting emotions, simultaneously experiencing sensuality and disgust. A comment captures this dichotomy: "The scene where the guy eats chips from her buttocks is just disgusting; there must be bacteria there." This internal reaction embodies the dichotomy within the fan base.
In conclusion, the fan reactions to "Snooze" are a kaleidoscope of perspectives, ranging from critical analyses to playful admiration. The discourse not only explores the musical and visual elements but also delves into social, cultural, and personal dimensions. The virtual space of comments serves as a platform for fans to engage in a multifaceted dialogue, highlighting the intricate tapestry of responses in the age of digital connectivity.