Joyner Lucas, Future - Blackout lyrics

Nayvadius DeMun Wilburn

[Joyner Lucas, Future - Blackout lyrics]

Yeah, I can't hide my pain no more
(Joyner)
This shit gon' make me lash out (Lash out)
I ain't playin' games no more
I really might just blackout (Blackout)
She can't feel her legs no more
I blew her fuckin' back out (Back out)
Run up on me, bitch, on God
I'll blow your fuckin' back out
(Brr, back out)
Where I'm from, this shit go down
A lot of niggas crash out (Crash out)
I just seen my cousin cop some
Work up out the crack house (Crack house)
He ain't got nothin' to lose
He might just bring the mask out (Mask out)
He gon' take your Visa too
I hope your credit card don't max out
(Brr, max out)
Watch me take some bricks and soap
And turn it to a bankroll (yeah)
Used to wanna get rich like Hov
Until I met Jeff Bezos (Bezos)
Billionaire invitеs
That's the shit that you can't pay for
(yeah, yeah) lеveled up and made some pesos
Now your bitch wanna give me besos
(Ayy, ayy, ayy, ayy) , mwah
First to do it, bitch, I'm Draco (Draco)
If you want that drama
You gon' get just what you paid for
(Grrah, grrah, grrah, paid for)
'Fore I got a check
I went and bought my mom a Range Rover
(Woah) wasn't new, but it was paid
For, I said "One day
We'll be straight though" (Straight though)

One day, I'ma change everything
I swear toxic

Like a kilo, drop him inside
A pot, my niggas spinnin', ayy
(Spinnin') i just heard a hater just
Got shot, now I'm grinnin', ayy
(Grinnin') i just took more dope
That's just gon' keep me out my feelings
(Feelings)
If I wasn't rappin', I'd be trappin'
Makin' millions (Millions)
I ain't worried 'bout nothin'
I got more money than my ex (Ex, ayy)
I don't have to call
Bitches pullin' up off my texts (texts, ayy)
First day, I bought her that AP
'cause she wet (Wet, ayy)
I done spent so much money on bitches
I forget (Get, ayy)
One of one spill
You can't find this in a store (Store, ayy)
Heard that was your wifey
I turned her to my whore (Whore)
Let me be your sponsor, you a baddie
You can get endorsed (Endorsed)
New Chanel
You know damn well it make girls get moist
(Moist, super) whipped up in a Maybach and I
Came back in a Royce (Super)
I'ma pop my shit
Drop a brick and I'm poppin' (Freebandz)
Shorty can't complain, bitch
The whole world toxic (Toxic)
She belong to the streets
Bitch gon' fuck on everybody

I got coke plugs, I got bass plugs
And I think I'm Pablo (Brr, think I'm Pablo)
If this rap shit never worked out
Then I'd be El Chapo (Brr, be El Chapo)
Got a stash spot for the cash
Drops and a blacked-out Tahoe
(For the blacked-out Tahoe)
Put a ten of cash in a duffel bag, shit
Back to Cabo (For real)
If my phone ring and I'm busy
I'ma just straight ignore it (Okay)
If you ain't callin' 'bout money
Then that shit ain't important (Okay)
I used to want me a good girl
But they way too boring (yeah, woah)
Baby, we can fuck
But you can't stay 'til morning (Morning)
And if I wasn't rappin', I'd be trappin'
Makin' Ms (Ms)
Twenty SUVs
You'd never know which one I'm in (Skrrt)
Travel 'cross the country
Sellin' drugs to all your friends (Woah)
And if I lose it all
Then I'd just do it all again
I still got big connects
I could hit the rec' from a bag of foam
(From a bag of foam, bah, bah)
If a nigga ever fall off
Then I'll be Al Capone
(Be Al Capone, ayy, ayy, ayy)
Couple bad bitches in the kitchen, naked
They countin' Os (Countin' Os)
I got niggas crossin' the border for me
Who down to go? (Ayy, oh, oh, oh)
I need to know

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About the song Joyner Lucas, Future - Blackout

"Blackout" opens with a captivating beat drop, instantly grabbing the listeners' attention. The use of a violin in the background adds a unique touch and sets the tone for the song. Future's distinct trap-style vocals complement Joyner Lucas's rapid-fire verses, creating an interesting dynamic throughout the track. The production quality is top-notch, and the collaborative efforts of the artists shine through in the song's overall composition.

Joyner Lucas, known for his thought-provoking and socially conscious lyrics, seems to have taken a different direction with "Blackout." Some fans express surprise at the change in Joyner's message, particularly his inclusion of references to drugs and the trap lifestyle. Comparisons are made to his previous works, such as "Lotto" and "ADHD," where he advocated for sobriety and addressed societal issues. Critics argue that this deviation might undermine Joyner's authenticity and dilute his impact as an artist.

Future's involvement in "Blackout" brings his signature trap sound to the table. His verse, delivered with confidence and swagger, resonates with fans who appreciate his raw and unapologetic style. The chorus, featuring Future's melodic ad-libs, adds an infectious energy to the song. However, detractors argue that Future's presence overshadows Joyner Lucas and compromises the cohesion of the track.

The response from fans is a mix of admiration and disappointment. Many listeners applaud the collaboration, praising Joyner Lucas for his lyrical prowess and Future for his captivating delivery. They commend the song's catchy hooks, infectious beats, and the chemistry between the artists. Some fans even declare "Blackout" as one of the standout tracks of 2023.

On the other hand, there are fans who express disappointment, claiming that the artists have compromised their originality to cater to popular trends. They highlight Joyner's departure from his previous introspective and socially conscious themes, and they criticize Future's verses as lacking substance and depth. These fans argue that the artists have succumbed to the pressures of the mainstream music industry. From a critical standpoint, "Blackout" receives mixed reviews. Some music critics praise the fusion of Joyner Lucas's storytelling abilities with Future's trap-infused style, highlighting the track's catchy melodies and memorable lines. They appreciate the artists' versatility and their ability to adapt to different musical landscapes. However, others argue that "Blackout" falls short of expectations. They believe that the song lacks originality and does not offer anything groundbreaking or innovative. Critics claim that the inclusion of trap elements overshadows Joyner's lyrical abilities, leading to a diluted artistic expression.

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