21 Savage - redrum lyrics
21 Savage [Shéyaa Bin Abraham-Joseph]
"redrum" stands as a testament to 21 Savage's prowess as a global hip-hop icon. The song not only captures the essence of his journey from the streets to international stardom but also symbolizes a return to his roots.
[21 Savage - redrum lyrics]
Woah, woah, woah
Want it all, I won't leave a breadcrumb
Bitch, what? I thought a nigga said sum’
Thought a nigga said sum'
G Block, all we know is redrum
Redrum, redrum, redrum, redrum
G Block, all we know is redrum
Redrum, redrum, redrum, redrum
Nigga, all we know is— (Redrum)
Ridin' in the back, it’s a May' (It's a May')
Thirty-two shots in the K (In the K)
Marathon, I really run the A (Run the A)
Say you touched me, how Sway? (How Sway?)
Graveyard, that's where the opps stay (Opps stay)
Hypnotize, they do what I say (What I say)
21, niggas don't play (Don't play)
My Glock Gen5 said hey (Said hey)
Take my chopper everywhere, that's bae (That’s bae)
Gеt yo’ ass out the car, you givin' trade (Giving trade)
Wе been spinnin’ through they hood all day (All day)
Niggas say they outside, okay, okay
I can't let a bitch play me, no way (No way)
You a duck if you believe what ho say (What ho say)
She got way more bodies than my old K (Old K)
My lil' brother beat his body, OJ (OJ)
Niggas talkin' ’bout they lit, I'm La Flame (Pussy)
That lil' boy a mascot, he ain't gang (Pussy)
Watch a half a million dollars and it's plain (Pussy)
I don't go through TSA to get on planes (Pussy)
You get pussy without head, then you lame (Pussy)
She knew I was leavin' 'fore I even came (Pussy)
Two revolvers on my waist, John Wayne (Pussy)
Smack niggas, then I get on live and sing (Yeah)
Want it all, I won't leave a breadcrumb
Bitch, what? I thought a nigga said sum'
Thought a nigga said sum'
G Block, all we know is redrum
Redrum, redrum, redrum, redrum
G Block, all we know is redrum
Redrum, redrum, redrum, redrum
Nigga, all we know is— (Redrum)
How many niggas got the belt? (A lot)
Catch 'em at the light, he get nailed (Bow)
9-1-1, somebody help
Sub-tweeting bad for your health, pussy
I'm a gangster, I ain't takin' shit back, pussy
I'll never do no song with no rat, pussy
Put a Lego in a stick, it rat-a-tat, pussy
I don't wanna talk, go and catch a hat, pussy
Big Draco come up out that Scat, pussy
He stood on business, now he layin' on his back, pussy
Ask around, I be rappin' nothin' but facts, pussy
We the reason all these niggas runnin' track, pussy (On God)
You ain't never stepped, you can't tell me a thing (21)
I got big kahunas and I'm lettin' 'em hang (21)
Keep my mouth closed and that's never gon' change (21)
You get in the jam and go to pointin' and blame (21, 21)
I ain't let it slide, I was sharpenin' aim
Smokin' on my brothers, got his ass left slain
You know it's smoke, 'cause they ain't even take off his chain
Say it's up with me, your ass must do cocaine (21, 21)
Want it all, I won't leave a breadcrumb
Bitch, what? I thought a nigga said sum'
Thought a nigga said sum'
G Block, all we know is redrum
Redrum, redrum, redrum, redrum
G Block, all we know is redrum
Redrum, redrum, redrum, redrum
Nigga, all we know is— (Redrum)
Little pigs
Little pigs, let me come in
Not by the hair on your chinny-chin-chin?
Then I'll huff, and I'll puff, and I'll blow your house down
Here's Johnny
Want it all, I won't leave a breadcrumb
Bitch, what? I thought a nigga said sum’
Thought a nigga said sum'
G Block, all we know is redrum
Redrum, redrum, redrum, redrum
G Block, all we know is redrum
Redrum, redrum, redrum, redrum
Nigga, all we know is— (Redrum)
Ridin' in the back, it’s a May' (It's a May')
Thirty-two shots in the K (In the K)
Marathon, I really run the A (Run the A)
Say you touched me, how Sway? (How Sway?)
Graveyard, that's where the opps stay (Opps stay)
Hypnotize, they do what I say (What I say)
21, niggas don't play (Don't play)
My Glock Gen5 said hey (Said hey)
Take my chopper everywhere, that's bae (That’s bae)
Gеt yo’ ass out the car, you givin' trade (Giving trade)
Wе been spinnin’ through they hood all day (All day)
Niggas say they outside, okay, okay
I can't let a bitch play me, no way (No way)
You a duck if you believe what ho say (What ho say)
She got way more bodies than my old K (Old K)
My lil' brother beat his body, OJ (OJ)
Niggas talkin' ’bout they lit, I'm La Flame (Pussy)
That lil' boy a mascot, he ain't gang (Pussy)
Watch a half a million dollars and it's plain (Pussy)
I don't go through TSA to get on planes (Pussy)
You get pussy without head, then you lame (Pussy)
She knew I was leavin' 'fore I even came (Pussy)
Two revolvers on my waist, John Wayne (Pussy)
Smack niggas, then I get on live and sing (Yeah)
Want it all, I won't leave a breadcrumb
Bitch, what? I thought a nigga said sum'
Thought a nigga said sum'
G Block, all we know is redrum
Redrum, redrum, redrum, redrum
G Block, all we know is redrum
Redrum, redrum, redrum, redrum
Nigga, all we know is— (Redrum)
How many niggas got the belt? (A lot)
Catch 'em at the light, he get nailed (Bow)
9-1-1, somebody help
Sub-tweeting bad for your health, pussy
I'm a gangster, I ain't takin' shit back, pussy
I'll never do no song with no rat, pussy
Put a Lego in a stick, it rat-a-tat, pussy
I don't wanna talk, go and catch a hat, pussy
Big Draco come up out that Scat, pussy
He stood on business, now he layin' on his back, pussy
Ask around, I be rappin' nothin' but facts, pussy
We the reason all these niggas runnin' track, pussy (On God)
You ain't never stepped, you can't tell me a thing (21)
I got big kahunas and I'm lettin' 'em hang (21)
Keep my mouth closed and that's never gon' change (21)
You get in the jam and go to pointin' and blame (21, 21)
I ain't let it slide, I was sharpenin' aim
Smokin' on my brothers, got his ass left slain
You know it's smoke, 'cause they ain't even take off his chain
Say it's up with me, your ass must do cocaine (21, 21)
Want it all, I won't leave a breadcrumb
Bitch, what? I thought a nigga said sum'
Thought a nigga said sum'
G Block, all we know is redrum
Redrum, redrum, redrum, redrum
G Block, all we know is redrum
Redrum, redrum, redrum, redrum
Nigga, all we know is— (Redrum)
Little pigs
Little pigs, let me come in
Not by the hair on your chinny-chin-chin?
Then I'll huff, and I'll puff, and I'll blow your house down
Here's Johnny
About the song 21 Savage - redrum
In a triumphant return to his roots, 21 Savage unleashes the raw energy of "redrum," a track that not only solidifies his street credibility but also showcases the convergence of his American success with his British origins.
Deciphering the Title:
"redrum," a clever play on the word "murder" spelled backward, serves as the entry point into the gritty narrative crafted by 21 Savage. This linguistic twist pays homage to the horror classic, The Shining, adding a layer of depth that elevates the song beyond conventional hip-hop tracks. The title becomes a symbolic bridge between the artist's American success and his British roots.
Connections
The utilization of a sample from Vinícius de Moraes' "Serenata do Adeus" adds a cinematic touch to the track, further accentuating the theme of murder and darkness. The infusion of Brazilian culture into the song's fabric reflects 21 Savage's ability to seamlessly blend global influences, making "redrum" a transcendent musical experience.
Reactions
The diverse array of fan reactions to "redrum" paints a vivid picture of its impact. Supporters from various corners of the world, including America and the UK, express their enthusiasm for the track's captivating beat and 21 Savage's unapologetic lyricism. The shoutouts and references in the comments showcase the artist's widespread appeal, with fans recognizing the song's cultural richness.
Global
The nod to England in the lyrics, coupled with the visual representation of the UK in the music video, marks a significant moment in 21 Savage's career. The fusion of American and British influences exemplifies the artist's ability to transcend borders and create a musical narrative that resonates with audiences worldwide.
Deciphering the Title:
"redrum," a clever play on the word "murder" spelled backward, serves as the entry point into the gritty narrative crafted by 21 Savage. This linguistic twist pays homage to the horror classic, The Shining, adding a layer of depth that elevates the song beyond conventional hip-hop tracks. The title becomes a symbolic bridge between the artist's American success and his British roots.
Connections
The utilization of a sample from Vinícius de Moraes' "Serenata do Adeus" adds a cinematic touch to the track, further accentuating the theme of murder and darkness. The infusion of Brazilian culture into the song's fabric reflects 21 Savage's ability to seamlessly blend global influences, making "redrum" a transcendent musical experience.
Reactions
The diverse array of fan reactions to "redrum" paints a vivid picture of its impact. Supporters from various corners of the world, including America and the UK, express their enthusiasm for the track's captivating beat and 21 Savage's unapologetic lyricism. The shoutouts and references in the comments showcase the artist's widespread appeal, with fans recognizing the song's cultural richness.
Global
The nod to England in the lyrics, coupled with the visual representation of the UK in the music video, marks a significant moment in 21 Savage's career. The fusion of American and British influences exemplifies the artist's ability to transcend borders and create a musical narrative that resonates with audiences worldwide.
Add extended interpretation
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