BABYMONSTER - Woke Up In Tokyo 가사 (lyrics)

The track "Woke Up In Tokyo" by BABYMONSTER has already gathered a lot of comments and reactions on TikTok, and it seems to evoke a full range of emotions. From the very first lines, it's clear that this track has sparked a real conversation, and opinions on it are more divided than ever. Some fans are literally obsessed with lines like "いち、にいい Look at me-e-e" and "ここ BABYMON world," while others openly criticize it for its lack of depth and originality. It feels like some listeners are willing to overlook their idols' shortcomings because, despite the controversial elements, the overall vibe of the track seems to be appealing. For instance, the "childish" flow sounds genuinely fun and is easy to remember. In this context, it can be noted that the lyrics are often perceived as something not too serious, almost childlike. However, this approach to songwriting raises discontent among many: "this is just nonsense" and "I feel like I'm listening to a children's song" — such opinions come up quite frequently.

The main complaint about the song is that it feels overly repetitive and lacks emotional resonance. Some even compare "Woke Up In Tokyo" to a lullaby or children's song, which undoubtedly touches sensitive points for fans of more serious content. Overall, it’s clear that the production team likely didn’t put much effort into creating something truly memorable. This speaks to a "mass production" approach, where templates are simply thrown out without deep development. One of the most common criticisms is the structure of the track and its content. The lyrics seem shallow and simplistic, reminiscent of children's songs that could be compared to "Cocomelon." All those "A-B-C-D-E-F-G" and other elements are perceived as childish and tasteless, sharply contrasting with the serious image the group is trying to create. This is a rather interesting observation, especially considering that a team of eight people was involved in the writing. One can’t help but wonder if they really all worked on the quality, or if it was merely an attempt to create "something that would catch children's attention."

Amidst all this, Ruka's voice stands out, which many find appealing and charismatic. Despite the criticism, her rhyming style and delivery make the song slightly more interesting than it might have been otherwise. The same can be said for Asa, whose vocals many find amusing and cute, even if they sometimes come off as overly "cartoony." Critiques from some fans indicate that they don't want to see their favorites in such a light. "YG is clearly failing here" — this thought resonates across social media, where possible shortcomings in the production approach and expectations from the group are highlighted. It's likely that such a level of quality control should have prevented the release of a track that causes so much disagreement among the audience.

Well... What can we say here? Some genuinely love the track and enjoy its sound, even if it doesn't meet their expectations, while others simply don’t understand what's going on and express their discontent, believing that the group deserves a more serious approach. This leads to "Woke Up In Tokyo" becoming a sort of test for the fandom, where everyone can express their preferences and views.

And what do we end up with? "Woke Up In Tokyo" is not just a track but a whole platform for discussion and disagreement, blending love, confusion, and criticism. Regardless, the track clearly does not leave listeners indifferent and prompts thoughts about the future of BABYMONSTER. The uncertainty and ambiguity in both the musical and lyrical aspects create a unique effect that lingers in listeners' memories, even though it evokes different emotions.

November 1, 2024