[Intro]
(ok is the hardest
I swear to God)
For the hoes
(We gon' be okay)
Oh, yeah
Oh, yeah, uh, yeah
[Chorus]
She said I'm for the hoes
I'm for the hoes in here
I got bullets goin' whichever way
I want 'em to go in, yeah
I don't even wanna swing right now
I just want you to go home, uh
She got too drunk
Too crunk off the Lulu'
She go so lit
Uh, I went to Poland
Do you still think that I'm jokin'?
Yeah, uh, ain't no Wock' in Poland
But we got some poles in
I'm not trollin'
Ain't far fetched to notice
Bitch tryna flex a lil' kissin', yeah
Yeah, I'm tryna get my dick wet
But they ain't worriеd 'bout reminiscin'
[Verse]
Huh, plot twist, bitch
I'm gettin', pop two Percs, I act offеnded
I'm sippin' pink, it ain't Whitney
She wanna know what you do with me
Yeah, I'm fuckin' Whitney
And I'm fuckin' Wendy
Don't try fuckin' with me 'cause
You weren't fuckin' with me
Uh, take me out my city
Take me out my pity
Yeah, blastin' Björk
I'm in Newark on the way to the bitty
Yeah, I sold every ticket, bitch
Bought more outta Lenox, shit
Seen more shit when I was a kid
We got more times to get rich
[Bridge]
Fucked it up, ain't buyin' hoes
Fuck Swag tatted on my dick
I fucked it up, I'm buyin' more
(I make more you can get)
Make more, make more than you spend
Spend, spend, oh
[Chorus]
She said I'm for the hoes
I'm for the hoes in here
I got bullets goin' whichever way
I want 'em to go in, yeah
I don't even wanna swing right now
I just want you to go home
Uh (Fuck Swag)
She got too drunk
Too crunk off the Lulu'
She go so lit
(Fuck Swag
We gon' be okay)
Uh, I went to Poland
Do you still think that I'm jokin'?
Yeah, uh, ain't no Wock' in Poland
But we got some poles in
(Fuck Swag, Fuck Swag)
I'm not trollin'
Ain't far fetched to notice
Bitch tryna flex a lil' kissin'
Yeah
(Fuck Swag, Fuck Swag)
Yeah
I'm tryna get my dick wet
But they ain't worried 'bout reminiscin'
(Fuck, Fuck, Fuck Swag)
[Outro]
Fuck Swag
Fuck Swag
Fuck Swag
Fuck Swag
Fuck Swag
Fuck Swag
Fuck Swag
Fuck Swag
Fuck Swag
Meaning & Review Nettspend - F*CK SWAG
The stream of reactions on social media to Nettspend’s new track shows just how much it polarizes the audience. Some came to it with a spark in their eyes, seeing something great in his music, while others call it “trash” that doesn’t belong anywhere. Contradictions have become a hallmark of his work. It seems like every new song stirs up a storm of discussion. On the one hand, the Artist is confidently moving forward in the music industry, reaching new heights, and this is noticed by his fans, who call him the “modern Kurt Cobain” and the “savior of music.” It’s clear that his beats and visualizations captivate, especially when they are accompanied by incredible visual effects. For many, this isn’t just a track; it’s a whole art project that makes you think there’s much more to music than just sounds. However, on the other hand, numerous critics don’t understand how Nettspend even made it to the trends. Their criticism often boils down to him being too repetitive, and his style reminds them of copies of other artists, such as Playboi Carti or Lil Uzi Vert. Some even confidently claim that his music brings nothing new to the genre, just cyclically repeating the same ideas. It’s important to note that such people aren’t impressed even by the trendiest producers like Cole Bennett or cool beats — for them, Nettspend’s style and delivery remain debatable.
Interestingly, even those who call him “trash” or “overrated” still come back to listen again. Perhaps this very ambivalence is what makes him so talked about: people hate him but keep listening, acknowledging some unique spark in him. Even reviews as contradictory as “bad song, but great video” confirm that Nettspend isn’t just about music; it’s about the vibe, the lifestyle, and the provocation.
Nettspend undeniably remains a mystery to many listeners. He provokes extreme reactions but certainly doesn’t leave anyone indifferent. And… particular attention is given to his music videos — the visual component of his works constantly draws admiration, which isn’t surprising since serious professionals like Cole Bennett put effort into them. But even this doesn’t save the tracks from numerous reviews calling them unsuccessful. One professional even considers this release a “shot in the dark.”
Nettspend embodies modern internet culture, where the beat can be “fire,” but there will always be questions about the artist’s delivery. For those who are laid back, it might be hard to understand how Nettspend is perceived compared to other artists — as an innovator, or as a representative of that very “SoundCloud rap,” which has become the subject of debate lately.
October 3, 2024