Tech N9ne, Krizz Kaliko - The Martini lyrics

The Martini
In movie terms, directors use this phrase
To describe the last shot of
The day while on set
The stories you are about to hear are true
Names have been kept the same
To reflect the Strange this is the Martini

This is Sam he was so in love with her
But she was young and so that
Put her off in a jam
Though she was sweet as a yam
She wanted to explore other
Options with her man
Straight sending Sam into a rampage
And no matter what his fam says
He's lost without this woman and don't
Wanna live any damn ways
Now he's thinkin', if he ain't gon' live
She ain't gon' live
And the other man's mercy, he ain't gon' give
This what love do, it cops a 38 snub to
Knock on your door
And take somebody that used to love you
Rub you, the wrong way, then it's blood true
Love through
She's slug one and he's slug two
Then on a rainy evening
With a panicked feelin'
Went to her home and looked in
The window and Sammy sees them
The door's between her and the Necromancer
And what you think is gon'
Happen if she answers?

Take a drink, it's more than what you think
I gotta let you know
Don't plan on letting you go
But, if you have to leave
That's where we'll end the scene
This is the Martini
Last shot's for you or me

Yo, this is Isaiah i guess he was, I'd say a
Ladies man
Everyone used to call him the KCI Playa
Flying multiple chicks in
Give the stick then dismiss them
But somethin's gonna happen that'll twist him
He fell in love with a beautiful black woman
But he ended up having a
Couple problems with that woman
Talkin' to other men
Did it behind his back on 'em
Facebook, computer love
Crept on the Mac on 'em now he's salty
'cause he found the woman he loves is faulty
He told her at the very beginning
"Don't you ever cross me"
Now that she did it
He plans to do something unlawfully
Get a gun off the street
Because he was treated so awfully
One bullet for her, one bullet for him
Crimes of passion
Ain't no more pullin' for them
And the worst way, we broke apart
It really hurts lady i've gotta go, but yo
You gotta go first baby

Take a drink, it's more than what you think
I gotta let you know
Don't plan on letting you go
But, if you have to leave
That's where we'll end the scene
This is the Martini
Last shot's for you or me

This is Brian
He was a rebel and stayed on another level
And had no intentions of dying
He loved Kim a lot, above them was not
But a jealous ex husband would
Love them to rot i guess he loved Kim still
His only thoughts him, them, kill
'Cause he a coward motherfucker
On Christmas Eve he broke in and
Waited in they house for hours
Crazy motherfucker!
Brian pulled up with Kim and
Little Alissa in the car
Saw a shadow in the house from afar and said
"Wait" got out the car, opened the gate
Walked in the house and her fucking
Ex sealed my nigga's fate
That was my best friend, bitch-ass nigga
Walked out the house and shot Kim
Right in front of Alissa
Then he saved the last shot for him, blast!
Now you better hope I don't go to hell
Because I'ma be on your ass!

Take a drink, it's more than what you think
I gotta let you know
Don't plan on letting you go
But, if you have to leave
That's where we'll end the scene
This is the Martini
Last shot's for you or me

Executive producer: Travis O'Guin
Associate producer: Dave Weiner
And Ron Spaulding
Project consultant, general management:
Bob Grossi, brian Shafton and Ben Grossi
Production assistant: Cory Lloyd, Glenda
Cowan, Don O'Guin
Cory Nielsen and Brian Fraser
Project management and publicity
Coordinator: Korey Lloyd
And publicity by: Richie Abbot
And Megan McLean
A&R: Travis O'Guin and Aaron D yates
Tech N9ne
Legal: Bob Liberman, photography: RW2
Art direction and design: Liquid 9
Marketing and promotion: Britton Kimler
And Chris Rooney
Street marketing: Aaron Bean
And Josh Rickards
Internet marketing: Brad Morrow-ow-ow
Creative consultant for Strange Music: My
Main man David Temple
Album score by: Michael "Seven" Summers
Recorded and mixed by: Robert Rebeck
Mastered by: Tom Baker and
Additional vocals by me (Kali Baby)
This is the end of KOD