Tion Wayne - Healing lyrics
Dennis Junior Odunwo / T-Wayne From The 9
[Tion Wayne - Healing lyrics]
Grrt, woo mm-mm
Oi oi, oi-oi-oi
If you don't hear, must feel it (Mm-mm)
All that time I spent on the roads
I'm healin'
I was in a ding dong schemin' (Woo)
Why they wanna take my freedom?
Fuck yourself, go suck yourself (Bah)
I said it, I mean it
Hear what? (Hear what?)
Before the TikTok shit
Had to flip the script 'cah
Rap didn't give man riches
T Wayne, I don't fuck with snitches (Grrt)
From Rambo blades in kitchens (Woo)
Nearly cried at my first six figures
Funny how I came in the dance laughin'
(Ayy, ayy, ayy, ayy)
But, I send them home with stitches
It's funny how things change (Things change)
Thousand pounds on slippers (Slippers)
Twenty pads on my shooter (Shooter)
Fifteen bags on my Mrs (Eh hah)
I made a mill' on the lifestyle
Didn't know I came up with killers (Grrt)
Nino got my back, that's bro
Got my back like Vidić (Ayy)
Four 44's long, auto semis
Ran through more than a military
Now I really donate guns in Eddy
What's that? Big smoke like Skeppy (Mm-mm)
Full clip, this'll be my OG, you a loser
(Woo, ayy) new whip
(Grrt) , big Wesson on my shooter (Ayy
Ayy ayy ayy ayy)
If you don't hear, must feel it
(Boaw, boaw, boaw)
All that time I spent on the roads
I'm healin'
I was in a ding dong schemin' (Woo)
Why they wanna take my freedom?
Fuck yourself, go suck yourself (Bah)
I said it, I mean it
Look at my truck, I spent a lot (Brr)
I bought a watch, but with the Glock
He saw an opp and didn't touch (Mm-mm)
He mus'a bad, get off the block
Even my mum called me prodigal yute (Woo)
Even the opps know I don't need groups
You really thought, opp boy, it was abroad
(Boaw, boaw) you know I love Tropical Juice
If they outside, they can get locked off
What's what? Bruck opp, see them at bus stop
What's good? Swizzy ain't chattin'
Just shop shot gunshot, have your boy
Spinnin' like nunchucks
What? What? Hundred milli' soon, watch, watch
(Brrt)
Soon home, mad, everybody like (Bop-bop)
But the wap ain't nothin' like Bluetooth
(Blrrt) , my connection nonstop
Pretty gyal love fi get naughty
Hundred thou', we're saucy (Mm-mm)
The way I make a milli', it's sweet (Sweet)
And now everybody wan' call me
Rude boy since school, Ashanti
That's why I always been banned from Carni
Spent a quarter M to whole Edmonton (Ayy)
But Edmonton don't deserve me
(Ayy, ayy, ayy, ayy, ayy)
If you don't hear, must feel it
(Boaw, boaw, boaw)
All that time I spent on the roads
I'm healin'
I was in a ding dong schemin' (Woo)
Why they wanna take my freedom?
Fuck yourself, go suck yourself (Bah)
I said it, I mean it
Oi oi, oi-oi-oi
If you don't hear, must feel it (Mm-mm)
All that time I spent on the roads
I'm healin'
I was in a ding dong schemin' (Woo)
Why they wanna take my freedom?
Fuck yourself, go suck yourself (Bah)
I said it, I mean it
Hear what? (Hear what?)
Before the TikTok shit
Had to flip the script 'cah
Rap didn't give man riches
T Wayne, I don't fuck with snitches (Grrt)
From Rambo blades in kitchens (Woo)
Nearly cried at my first six figures
Funny how I came in the dance laughin'
(Ayy, ayy, ayy, ayy)
But, I send them home with stitches
It's funny how things change (Things change)
Thousand pounds on slippers (Slippers)
Twenty pads on my shooter (Shooter)
Fifteen bags on my Mrs (Eh hah)
I made a mill' on the lifestyle
Didn't know I came up with killers (Grrt)
Nino got my back, that's bro
Got my back like Vidić (Ayy)
Four 44's long, auto semis
Ran through more than a military
Now I really donate guns in Eddy
What's that? Big smoke like Skeppy (Mm-mm)
Full clip, this'll be my OG, you a loser
(Woo, ayy) new whip
(Grrt) , big Wesson on my shooter (Ayy
Ayy ayy ayy ayy)
If you don't hear, must feel it
(Boaw, boaw, boaw)
All that time I spent on the roads
I'm healin'
I was in a ding dong schemin' (Woo)
Why they wanna take my freedom?
Fuck yourself, go suck yourself (Bah)
I said it, I mean it
Look at my truck, I spent a lot (Brr)
I bought a watch, but with the Glock
He saw an opp and didn't touch (Mm-mm)
He mus'a bad, get off the block
Even my mum called me prodigal yute (Woo)
Even the opps know I don't need groups
You really thought, opp boy, it was abroad
(Boaw, boaw) you know I love Tropical Juice
If they outside, they can get locked off
What's what? Bruck opp, see them at bus stop
What's good? Swizzy ain't chattin'
Just shop shot gunshot, have your boy
Spinnin' like nunchucks
What? What? Hundred milli' soon, watch, watch
(Brrt)
Soon home, mad, everybody like (Bop-bop)
But the wap ain't nothin' like Bluetooth
(Blrrt) , my connection nonstop
Pretty gyal love fi get naughty
Hundred thou', we're saucy (Mm-mm)
The way I make a milli', it's sweet (Sweet)
And now everybody wan' call me
Rude boy since school, Ashanti
That's why I always been banned from Carni
Spent a quarter M to whole Edmonton (Ayy)
But Edmonton don't deserve me
(Ayy, ayy, ayy, ayy, ayy)
If you don't hear, must feel it
(Boaw, boaw, boaw)
All that time I spent on the roads
I'm healin'
I was in a ding dong schemin' (Woo)
Why they wanna take my freedom?
Fuck yourself, go suck yourself (Bah)
I said it, I mean it
About the song Tion Wayne - Healing
Tion Wayne's latest release, "Healing," has sparked a range of reactions from listeners around the world. With its release on May 4, 2023, the song has quickly gained attention and amassed millions of views on various platforms.
One prevalent critique of "Healing" is its repetitive nature. Some listeners argue that the song falls into the trap of conforming to popular drill sounds, with similar beats and flows that have become common in the genre. Critics claim that this lack of originality makes the song less captivating and diminishes its replay value. They suggest that Tion Wayne has the potential to create more unique and impactful music, considering his talent and influence.
However, despite these criticisms, it is undeniable that "Healing" has managed to captivate listeners and amass millions of views within a short period. Many fans appreciate the addictive nature of the track, highlighting its ability to evoke strong emotions and generate a sense of excitement. For them, the familiarity of the drill sound is precisely what draws them in, making it a compelling choice for repeat listens.
One aspect of "Healing" that resonates deeply with listeners is its tribute to the late Sidhu Moose Wala, a beloved Punjabi artist. Tion Wayne's collaboration with Moose Wala's father and the inclusion of footage from Sidhu Moose Wala's village have touched many fans, eliciting emotional responses. The video's visuals, combined with the heartfelt lyrics, have created a profound impact on viewers, with some claiming to have shed tears while watching it. This emotional connection further emphasizes the significance and power of the song.
Tion Wayne's decision to incorporate elements from multiple cultures and locations in the music video has garnered praise from fans worldwide. The video's inclusion of scenes from Ghana, Nigeria, India, and London showcases a unique blend of cultures and highlights the global reach of Tion Wayne's music. Fans appreciate the effort put into representing diverse communities and applaud the potential for improved race relations that such collaborations can foster.
Interestingly, some viewers have noted that while Tion Wayne's vocals are commendable, it is the visuals of the music video that have truly elevated the song's popularity. The production quality, cinematography, and art direction have been lauded for their creativity and attention to detail. This observation suggests that the video's visual elements have played a significant role in the song's success, overshadowing the impact of Tion Wayne's vocal performance.
One prevalent critique of "Healing" is its repetitive nature. Some listeners argue that the song falls into the trap of conforming to popular drill sounds, with similar beats and flows that have become common in the genre. Critics claim that this lack of originality makes the song less captivating and diminishes its replay value. They suggest that Tion Wayne has the potential to create more unique and impactful music, considering his talent and influence.
However, despite these criticisms, it is undeniable that "Healing" has managed to captivate listeners and amass millions of views within a short period. Many fans appreciate the addictive nature of the track, highlighting its ability to evoke strong emotions and generate a sense of excitement. For them, the familiarity of the drill sound is precisely what draws them in, making it a compelling choice for repeat listens.
One aspect of "Healing" that resonates deeply with listeners is its tribute to the late Sidhu Moose Wala, a beloved Punjabi artist. Tion Wayne's collaboration with Moose Wala's father and the inclusion of footage from Sidhu Moose Wala's village have touched many fans, eliciting emotional responses. The video's visuals, combined with the heartfelt lyrics, have created a profound impact on viewers, with some claiming to have shed tears while watching it. This emotional connection further emphasizes the significance and power of the song.
Tion Wayne's decision to incorporate elements from multiple cultures and locations in the music video has garnered praise from fans worldwide. The video's inclusion of scenes from Ghana, Nigeria, India, and London showcases a unique blend of cultures and highlights the global reach of Tion Wayne's music. Fans appreciate the effort put into representing diverse communities and applaud the potential for improved race relations that such collaborations can foster.
Interestingly, some viewers have noted that while Tion Wayne's vocals are commendable, it is the visuals of the music video that have truly elevated the song's popularity. The production quality, cinematography, and art direction have been lauded for their creativity and attention to detail. This observation suggests that the video's visual elements have played a significant role in the song's success, overshadowing the impact of Tion Wayne's vocal performance.
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