$uicideboy$ - BOSSIER CITY KIDNAP VICTIMS lyrics

[$uicideboy$ - BOSSIER CITY KIDNAP VICTIMS lyrics]

You did good, $lick it's a Smash!
Players-Players-Players never die

Le le left a grease stain
His momma gave me good head though
G-G-Gat, shooting Rasputin, Eastern Bloc
Mad monk
G-R-E-Y (Bloc Wet, Bloc Wet, Bloc Wet, Bloc Wet)
F-F-Five to the nine
(Bloc Wet, Bloc Wet, Bloc Wet, Bloc Wet)
G-R-E-Y (Bloc Wet, Bloc Wet, Bloc Wet, Bloc Wet)
F-F-Five to the nine
(Bloc Wet, Bloc Wet, Bloc Wet, Bloc Wet)

Blanco always smoking doja, 7th Ward soulja
Always in the cut, with my hood up
I'm a cobra
Choppa city born and fuckin' raised
I thought I told ya offered shawty coke
But she thought I meant Cola
P-P-P-Pull up on ya block
Lookin' like I got a weapon
All my dogs in fucking heaven like
I'm Jesus in the 7th
I know fuckboys got a problem
I'ma end their whole bloodline
Make sure that his last name
Stay a last name, yeah he done
I'm bout pull up on this lil'
Ho and make her tongue tied now she cryin'
Tellin' me all about how her son died
Le le left a grease stain
His mama gave me good head though
Ruthless motherfucker
Blanco always making heads roll
Tombstone blank, two-two-two tone tank
Now his bitch asking me for a newborn baby
Mixing Wock with titty milk
Ain't no new bones breakin'
Got another bitch pregnant and now
Them two hoes datin'

Le le left a grease stain
His momma gave me good head though
G-G-Gat, shooting Rasputin, Eastern Bloc
Mad monk
G-R-E-Y (Bloc Wet, Bloc Wet, Bloc Wet, Bloc Wet)
F-F-Five to the nine
(Bloc Wet, Bloc Wet, Bloc Wet, Bloc Wet)
G-R-E-Y (Bloc Wet, Bloc Wet, Bloc Wet, Bloc Wet)
F-F-Five to the nine
(Bloc Wet, Bloc Wet, Bloc Wet, Bloc Wet)

Duckin' off that fent'
But Young Wetto always stand up
Smoke it 'til the last puff
Sleepin' with the handgun, 12 I had to man up
Grey the propaganda, Slicky the commander
Unleashing that terror make your
Area Uganda, damn, son
How-how I whip that dope and
Get them motherfucking grams up? (North)
Pimping on a ho too easy
All I do is glance up (Side)
All these motherfuckers pussy, boy
I'm from the land of (North)
Press it right between my eyes
Now pull it, boy, don't clam up
(Side) bought a crib in Florida just to
Get my fucking tan up (North)
How it feel to date a bitch you
Know that love to stan us? (Side)
Chopper city love them choppers
'cause they never jam up (North)
I put angels in my outfield, call
Me Tony Wetto Danza, damn, son
(Side) every time I spit
I feel like Jordan when he slam dunk
Wetto I go harder on them bars
Than when my dad drunk
Gat, shooting Rasputin, Eastern Bloc
Mad monk come and get your bell rung

Le le left a grease stain
His momma gave me good head though
G-G-Gat, shooting Rasputin, Eastern Bloc
Mad monk
G-R-E-Y (Bloc Wet, Bloc Wet, Bloc Wet, Bloc Wet)
F-F-Five to the nine
(Bloc Wet, Bloc Wet, Bloc Wet, Bloc Wet)
G-R-E-Y (Bloc Wet, Bloc Wet, Bloc Wet, Bloc Wet)
F-F-Five to the nine
(Bloc Wet, Bloc Wet, Bloc Wet, Bloc Wet)
Let let let the grease bang
His momma gave me good head though
G-G-Gat, shooting Rasputin, Eastern Bloc
Mad monk

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About the song $uicideboy$ - BOSSIER CITY KIDNAP VICTIMS

Tristan Zammit's collaboration with $UICIDEBOY$ has proven to be a match made in heaven, as the music video showcases exceptional visuals that perfectly complement the duo's rap. Fans have praised Zammit's creative direction, appreciating the seamless integration of animated elements with the Boy$' performances. The use of various animation techniques, including 2D, 3D, claymation, and CGI, has garnered particular acclaim, with viewers commending the unique and captivating art style.

The reaction to the animated portrayal of $UICIDEBOY$ members, Scrim and Ruby, has been overwhelmingly positive. Fans have expressed curiosity about the artists behind the animation and have eagerly shared their appreciation for the attention to detail, such as the evolving appearance of Scrim over the years. The anime-inspired visuals and references to popular shows like Tokyo Ghoul have also resonated strongly with the audience, further enhancing the video's appeal.

While the music video has received widespread acclaim for its visuals, opinions on the song itself have been more divided. Some fans have embraced the duo's new sound, praising the infusion of phonk elements and appreciating the slower pace and bass-heavy beats. They see this as a natural progression in $UICIDEBOY$' artistic evolution and commend the Boy$ for continually exploring new styles. However, other fans have expressed nostalgia for the duo's earlier work, yearning for a return to their old sound. They find the autotune and edited voices somewhat distracting, longing for the rawness and authenticity of $UICIDEBOY$'s earlier releases. Some listeners also draw comparisons to artists like Ghostemane and Haarper, noting the potential influence on the Boy$' recent musical direction.

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